The Great Exhibition of 1851
- The Great Exhibition and Moorish Architecture and Design in Great Britain
- Indian Art Objects displayed at the Great Exhibition
- Indian Pavillion (I)
- Indian Pavillion (II)
Built Stuctures
- Royal Pavilion, Brighton
- Royal Stables, Brighton
- King George the Fourth (a.k.a. "Prinny") and the Royal Brighton Pavilion (1811-1822)
- Sezincote
- Arab Hall, Leighton House
- Railway and Government Buildings, Kuala Lumpur
- Sultan Mosque, Singapore
- Elveden Hall, Suffolk
Design and Designers
- Owen Jones
- Sitemap
- Owen Jones and Moorish Design in the Victorian Era
- Arabian No. 1 (from The Grammar of Ornament)
- Arabian No. 2 (from The Grammar of Ornament)
- Arabian No. 9 (from The Grammar of Ornament)
- Persian No. 3 (from The Grammar of Ornament)
- Turkish No. 3 (from The Grammar of Ornament)
- Indian No. 1 (from The Grammar of Ornament)
- Indian No. 4 (from The Grammar of Ornament)
- Christopher Dresser
- Painted Ceiling Ornament in the Arabian style (from Studies in Design)
- Center Ceiling Design in the Arabian style (1) (from Studies in Design)
- Center Ceiling Design in the Arabian style (2) (from Studies in Design)
- William Morris
- Peacock and Dragon (textile)
- Ispahan (textile)
- Bruce James Talbert
- Paisley Panel (textile)
- Ram Singh
- John Lockwood Kipling
Literary Sources and Relations
- A Thousand and One Nights (The Arabian Nights)
- Edward FitzGerald's rendering of The Rubáiyât of Omar Khayyám
- Wilkie Collins, The Moonstone
- Elizabeth Gaskell, North and South (the Indian scarf)
- George Meredith, The Shaving of Shagpat
Visual Arts
- Panomara of the Temples of Elora at the Surrey Zoological Gardens. 1843
- Orientalists Painters: British Artists of the Mid and Far East
- Arthur Boyd Houghton's illustrations to the Arabian Nights
- The Architectural Styles of South Asia (the Indian subcontinent) — in the Postcolonial Web; will open in new window
Political Implications and Contexts
Last modified 3 April 2006